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CRITICAL ACCLAIM AND AWARDS:
“The overall feeling of the period is just right, and the performances
are highly affecting, with old hands like Henry Gibson, Fred Willard, and Martin
Mull interacting with younger players as deftly as the fictional story does
with the archival footage. This is more believable than most depictions of the
period because the politics are informed by historical reflection.” --
Jonathan Rosenbaum, Chicago Reader
“Vermont-based Jay Craven ranks with Victor Nunez and Richard Linkater
as one of America’s leading independent regional filmmakers. His latest,
most ambitious work, set in 1970, centers on a group of small-town Ohio friends
whose personal lives are disrupted by the bloody Kent State protests (vividly
recreated in the opening scenes), the escalating war, and the draft. Based on
the novel by Scott Lax, the film centers not on political dogma but on the impact
of the era’s political upheaval on ordinary lives, captured by Craven’s
sure sense of time and place and the fine ensemble cast. Especially good is
Fred Willard in a non-manic role as a high-school principal whose loyalties
are tested when his daughter (Meredith Monroe of “Dawson’s Creek”)
is hunted by the FBI.” -- Marty Rubin, Curator, Gene Siskel Film Center,
Art Institute of Chicago
“The Year That Trembled is not just another Vietnam War tale. Director
Jay Craven has masterfully maneuvered down an untravelled trail tread by regular
Joes and Janes swept up in a coming of age war-chronicle and student teacher
tempest.” -- Robin Caudell, Plattsburgh Press Republican (NY)
Winner: 2002 Midwest Independent Filmmakers of the Year Award,
Midwest Independent Filmmakers Conference, Cleveland, Ohio.
Winner: 2002 People's Choice Bessie Award for Favorite Film,
Burlington Arts Council, Vermont.
Winner: 2002 Best Regional Film Award, Cincinnati International
Film Festival.
Winner: 2002 “People’s Choice” Award, Cincinnati
International Film Festival.
“I was very touched. The film captures the essence of what people were
going through at the time—not just the movement, but the regular guys.
I highly recommend it to anyone." -- Sherry Beall, KPFK FM, Los
Angeles
“…Shines an honest light on a time and place that still resonates
in the American soul.” -- Jeff Craig, Sixty Second Preview
"Lush cinematography and stellar performances...perfectly capture the zeitgeist
of this troubled time. The experienced cast makes the most of the film's subtleties
and dramatic high points. Brandis and Hinkle are especially fine in portraying
their dangerous attraction." -- Julie Washington, Cleveland Plain Dealer
"Captivating and timely. Brilliantly captured the events surrounding the
Kent State demonstrations in 1970 and the end of innocence that the campus shootings
wrought.” -- Roger Jackson, ifilm.com
“…Brandis and Hinkle inhabit their roles with real weight; there’s
a nice reunion of Martin Mull and Fred Willard as beleaguered Ohio parents,
and a spacey turn from Henry Gibson… Craven pays meticulous attention
to the details of the Kent State shootings and aftermath, and deftly integrates
period news footage (how shocked young of the Iraq war will be to see how close
the cameras were in Vietnam). -- Jon Strickland, LA Weekly
“The Year That Kent State Exploded. An ambitious coming-of-age story set
amid the turmoil that beset rural Ohio communities in the wake of the May 4,
1970 Kent State shootings… The Year That Trembled
evokes the fear, anger, and conflict that swept over the country at that time.”
-- Kevin Thomas, Los Angeles Times
“Films that effectively capture the mood of the 60‘s are few and
far between. Writer-director Jay Craven’s The Year That Trembled
succeeds…Craven deftly sets the stage with a montage of news clips before
proceeding to a fictionalized street theater version of a great Vietnam Era
protest. Film includes good work from Henry Gibson, Fred Willard, Martin Mull
(all playing it straight), and the latest actress from the Chaplin clan, Kiera.”
–- Andy Klein, Variety
“Sweet… touching… historically significant… throw this
on your list of films to watch.” -- Entertainment Today
"Touching and intelligent. It deserves to be seen." -- Ain't It
Cool News
“Memorable… beautifully reflects the depth of experience of the
late 60’s and early 70’s… a touching glimpse into the lives
of young people enmeshed in the political and emotional climate of the times.”
-- April Greene, Boston Herald
“Craven is an intuitive director…Take his inspired interweaving
of stock footage, as when he juxtaposes cops carting away demonstrators with
grunts carrying away their wounded brethren. That such scenes are in the news
again only calls to mind the provocative parallels.” -- Mike Millard,
Boston Phoenix
"Writer-director Jay Craven was smart enough to see the possibilities and
sensitive enough to appreciate the romance of the time...Craven gets a number
of grace notes right... Unlike Hollywood's vapid and misguided attempts to be
‘far out’ (like 1970's ‘The Strawberry Statement’) Craven
sees many of his characters as sometimes wrongheaded and confused but also idealistic,
and maybe even a tad heroic." -- Eleanor Ringel Gillespie, Atlanta
Journal-Constitution
"Remarkably authentic...writer-director Jay Craven and his large ensemble
cast succeed at capturing the nuances of those times." -- Box Office
Magazine
*** “Intimate, subtly riveting, and richly reminiscent. The
Year That Trembled captures much of the drama and essence of the
Vietnam War protest era.”-- Marty Meltz, Portland Press Herald
(Maine)
“Jay Craven's The Year That Trembled gets it
just right -- the era, the homefront, the conflict, the characters. I was more
moved than by a dozen Hollywood efforts that skate over Vietnam as if it were
a plot point rather than a country and a war we have still not recovered from.
At a moment when history is rewinding itself for more military adventures in
countries and cultures we do not understand, THE YEAR THAT TREMBLED
is a film I hope Americans will see.” -- Peter Davis, Academy Award-winning
director, Hearts and Minds
"The film's themes resonate in a timeless way but, because of our current
war, are especially relevant." -- Lindsay Utz, Arizona Daily Wildcat
**** "Tremendous film...THE YEAR THAT TREMBLED
is a powerful story of ordinary people caught up in extraordinary circumstances.
For those who lived through the turmoil of the Vietnam Era, Craven’s film
will no doubt evoke painful memories. And for those of the younger generation
who missed the war, the film captures the complex emotions and dilemmas Vietnam
created for all those caught up in it. Don’t miss it." -- Rob Williams,
The Valley Reporter (VT)
***1/2 “The rural Ohio homefront of the Vietnam War is the setting of
The Year That Trembled, an elegiac, well-acted ensemble
drama based on the poetic 1998 novel by local writer Scott Lax. The independent
feature charts a group of young friends over several tumultuous months from
1970 to 1971, as the threat of the Vietnam War draft lottery casts a long, cold
shadow over young people already confused by the onset of adulthood.
“Writer-director Jay Craven has done a good job of putting flesh and bone
on Lax’s impressionistic narrative, and he adroitly juggles the multiple
characters like Robert Altman with an extra dose of gentle humanism. Craven
and crew evoke the early-‘70s time period splendidly, without capitulation
to hippie camp, finger-pointing or Top 40 soundtrack hits.
“The Year That Trembled comes across as less
a sweeping historical pageant than a heartfelt album of relationships, sweetness,
innocence, irony and regret, all crystallized in a fragile time when the much-vaunted
counterculture revolution flickered briefly for a final time, then winked out
with a puzzled whimper. Take advantage of its visibility to enjoy a well-honed,
non-formulaic postcard dispatched from the sunset of the Age of Aquarius.”
-- Charles Cassady Jr., Cleveland Free Times
“The film is brilliant. It captures the time as if I were there once again.
A deeply moving film experience.” -- James R. Messenger, Emmy Award-winning
and two-time Academy Award-nominated producer
"An Arizona Film Festival favorite. Director Jay Craven's coming-of-age
drama is set on a college campus in 1970 during the Vietnam War. As students
hear about the shootings at Kent State, their own protests escalate, the draft
begins to claim some of them, and the complexities of the counterculture force
them to make hard decisions.” -- The Arizona Star (Tucson)
“The Year That Trembled deals with matters that
Hollywood won't touch, and gets people thinking about a dramatic piece of our
history that has been largely forgotten. What happened at Kent State was a microcosm
of what happened to the nation. TYTT’s young characters have their lives
changed, and we get to know them up close -- their loves, their fears, their
dreams. This is an unusual film.” -- Howard Zinn, author, The People’s
History of The United States
“Not a single false note.” -- Gerald Rafshoon, film producer and
White House Director of Communications for President Jimmy Carter
*** 1/2 “A surefire recipe for cultural whiplash: director Jay Craven
takes us back to a time when people of college age had things on their minds
slightly more pressing than wet T-shirt contests or neurotic roommates —
and faced choices on matters considerably more far-reaching than their cellular
service plan. It’s hard to believe the America of The Year
That Trembled is the same one we live in today.
“The film features an impressive ensemble cast, some of whose members
are recognizable and some not. You never know who’s going to pop up in
a Craven picture. Meredith Monroe costars as a young protester on the run from
the FBI. Her father’s a school official played by Fred Willard. The actor’s
old pal and Fernwood 2-Night partner Martin Mull is a disillusioned Bureau vet
close on the girl’s heels. Some of the movie’s most compelling and
emotionally complex scenes are those shared by these two men. The pair proves
just as capable of making us think and feel as they are of making us laugh.
“The same can be said for the film. The turbulence of the times is effectively
evoked JFK-fashion through a combination of character study and archival footage,
both of which provide a troubling reminder that this country was at war with
itself not so long ago."
“Jay R. Ferguson turns in a chilling, edgy performance as a G-man in a
baaad sheep’s clothing. The addition of his composite character is a nifty
Oliver Stone–style touch.
“The Year That Trembled is new territory for
the Vermont director, and he shows every sign of feeling right at home in it.
This is the first film Craven has made whose credits don’t list him as
producer. That’s deceiving, though. From his earliest work to his newest,
Craven is a filmmaker who always produces.” -- Rick Kisonak, Film
Threat
“ Jay Craven’s best film yet. This is the kind of indie worth waiting
for. With more and more filmmakers succumbing to the monkeymass and avoiding
political thought with any substance, it’s kind of great to see Craven
in the trenches, figuring out how to tell the kinds of stories he wants to tell."
“A very good film may be made someday about the Kent State Massacre, but
for Lax and Craven, Kent State is just the spark that lights the story’s
fuse. Craven stresses ensemble playing over any kind of star vehicle, and through
the course of the film, he deftly juggles multiple characters and storylines
as 1970 runs its course through the death of Jimi Hendrix and the communal fallout
from Woodstock."
“Even on the kind of budget that wouldn’t cover cappuccino costs
on a Joel Silver action epic, Jay Craven gets the most out of his actors and
resources, confidently weaving storylines in and out, tying them in surprising
yet apt ways, and again emerging with a singular portrait of a community in
crisis. The Year That Trembled would make a great
double bill with George Lucas’ American Graffiti, in that it deals so
poignantly with the spectre of young adults being cut loose to find their way
in the world."
“The performances are strong and passionate, all the way down the line.
The film boasts a strong young cast like the glazed-over Jim “Hairball”
Morton (Charlie Finn), whom I enjoyed immensely in Super Troopers. In one of
the film’s ironic bits of casting, Danica McKellar from The Wonder Years
reappears, this time as a frightened housewife who refuses to go public with
what she saw at Kent State."
“After what feels like months of formula movie garbage, The
Year That Trembled feels like the first important movie of the
year. Aside from John Sayles, no one has tried to do what Jay Craven has accomplished.”
-- Bryan VanCampen, Ithaca Times
“The Year That Trembled will reconnect a new
generation with the way an American era once was lived, and the way great films
once were made: with undeviating conviction, passion, and faith in dreams."
“It is not often that a cinematic project in America gives off the unmistakable
aura of being exactly the right movie for exactly the right moment in the country's
history. The Year That Trembled is such a project.
The creators have pierced through the hardened crust of blockbuster-induced
voyeurism, cheap irony and numbness on the one hand, and outdated sentimental
piety on the other, to engage the movie-going public at a level of uncompromising
truth and passion on the great themes of war and youth and courage and comradeship.”
-- Ron Powers, Pulitzer Prize-winning and Emmy-winning critic; co-author, Flags
of Our Fathers
“The Year That Trembled is a great film...an
incredible independent film that looks and feels like a Hollywood studio production.”
-- Mara Evans, Director, Midwest Independent Filmmakers Conference
“Personal and powerful … it never gives up hope.” -- Times
Argus (Vermont)
“…Masterfully woven together by director Jay Craven.” -- Beth
Brogan, The Portland Phoenix (Maine)
"Realistic and edgy...Jonathan Brandis shines!" -- The Dartmouth,
Dartmouth College
"Marin Hinkle gives a standout performance!... This is an important film
and will hit home for many people. Go see this movie at all costs!" --
The Lakelander, Lakeland Community College (OH)
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